The Armenian sailing vessel “Kilikia” being a true copy of a merchant ship of the Middle Ages, from 2004 to 2006 was able to overcome the route from Yerevan around Europe, having passed through seven seas. In the Middle Ages the ship was a symbol of the unification of nations, and travellers and merchants played an important role in the intercultural dialogue and exchange. In the 21st century the participants of world discourse are artists. The story of the journey of “Kilikia” was the inspiration for our decision. Squeezed in the city structure The NPAK building today is the part of the architectural ensemble that had lost its original function.

"Skystone" is a new type of prefabricated building with a 360º screen projection system presented at the General Assembly of the International Astronomical Union in Beijing."Skystone" is a self-sufficient prefabricated building in a hall with 250 seats with interactive technology. The building is closed from outside and looks monolithic. It will let people get an immersive experience in understanding the universe

Masha Reva collaborated with ФОРМА to create set-design and scenography for the Rodebjer at Fall Winter 2020 show during the Copenhagen Fashion Week

ФОРМА was invited by 'goodwine' to develop a strategy for the renovation of buildings and the territory of the former Tetrapak factory.

Today, the space of Babyn Yar is filled with multiple scenarios. They are played out daily in the area, which rather disorients and makes it impossible to spend time consciously within the memorial and preserved areas. This study is an attempt of a comprehensive look at further work with the territory based on the landscape analysis of Kyiv ravines.

The important stage in the implementation of a major renovation project of the Promprylad factory in Ivano-Frankivsk. As part of an ecosystem, the space of interaction and cooperation promotes a new culture of innovation. It facilitates the creation of projects and supports those who change the rules of the game.

The most significant cultural projects of modern Ukraine are initiated by independent researchers, curators, and artists. The potential of these independent creators, intellectual and artistic level of their work is much more ahead of the existing institutional capacity. There is a lack of institutions in Ukraine, that could provide a decent level of support and development of cultural initiatives. This absence of institutional sustainability led to the idea of creating the Pavilion of Culture – an institution that will provide the audience, space, and opportunities for the realization of the leading cultural creators.

The core of the building is the rooms that make up the complex space of "volumes" and "voids". This multifunctional spaces provide an active social life inside. Their shared amenities brings together professionals into friendly companies and can exist as a neutral zone for presentations or negotiations. A children's room, a shared dining area, or a small movie room and game room will allow to work overtime but not neglect rest or family.

Reflecting the landscape of Ukrainian photography today, Essential Goods is a group
exhibition featuring works by more than 20 young artists. Produced from 2014 to 2024,
their varied projects are held together by a common thread: of what it means to make
art in and of a time of war. When the future is uncertain, they ask: ‘what constitutes an
essential good?’
Opening in Kyiv on the 23rd May, Essential Goods is set across the Pavilion of Culture:
a 1967 modernist landmark, now a curatorial institution at the intersection of contemporary
visual art, music and architecture. With the outbreak of full-scale war, its programme was
suspended, and its buildings became a depot for humanitarian aid.
The question "Is culture the first necessity during the ongoing war?" formed the basis of the architecture of the exhibition Essential Goods with which the Pavilion of Culture begins a new season of activity after a two-year pause.
The uncanned building with the remained items of aid form the body of the exhibition, creating the possibility of coexistence between wartime needs and art.

Gamma factory (Zaporizhzhia, Ukraine) was built at the beginning of 1960th, specialized on the production of high-tech electronic products for the space, aviation and nuclear industries. After 1991 the company declared bankruptcy and declined. ФОРМА’s proposal for the mix-used development was based on the idea of creating a cultural, business and retail core of the city.

The land in places that are surrounded by protected areas - such as Yaremche - is of exceptional value. The way construction and further management are carried out directly affect the local ecosystem. The boundaries where human activity encounters in the natural heritage are the most vulnerable. Our research investigates both scenarios of such interactions—the centres of destruction and the environment where new valuable connections between human and nature are formed.

GARAGE is a new gastronomic venue by @goodwine located on the territory of the former Tetra Pak plant in the Podil industrial zone. The building is divided into two independent parts. In the general planning approach, the function of the garage is retained – technological and service blocks are disposed not along the perimeter of the venue, but deliberately moved to the center. This provides the adaptability of the space to temporal scenarios, ensures democracy between volumes and free movement around the area. The blank industrial building becomes public and open, emphasized by the glazed line of the facade.

The Second Biennale of Young Art was held in 2019 in Kharkiv and became the second edition of the biennial project, initiated by the Ministry of Culture of Ukraine in the aim to support and represent contemporary Ukrainian art.

ФОРМА was involved in the organization of Cxema parties from 2015 to 2019, rethinking from the perspective of architectural practice the typology of rave and creating a holistic visual image of the space. Every season had a specific concept that directly influenced spatial and lighting solutions.

In recent years, the rethinking of the purpose of industrial architecture has become a representative practice in which possibilities are determined by research. Architects are facing the situation, where the proposal must justify a certain set of functions and goals of the object. The architectural design of Promprylad. Renovation can be considered as a proper example to explore.

Guilty wine bar was conceived as a place to start the evening, and the exhibition program, curated by Maria Lanko and Liza German, extended this conception into the context of art. Drafts and sketches by local artists, such as Lucia Ivanova and Ksenia Hnylytska, gave an alternative view on the idea of the origin and preparation.

Before the Future marks the return of the Pavilion of Ukraine to the Biennale Architettura 2023 after a nine-year absence. The catalog contains texts and images by the curators and collectives, as well as additional articles and essays that expand on the discussions initiated within the project.
In the exhibition and its accompanying program, the grass-covered defensive earthworks in the Giardini and the dark, enclosed shelter in the Arsenale are spaces for Ukrainian architects and practitioners from various fields to raise questions—questions about telling stories during wartime, about the value of collective action in the face of threat, about the multitude of topics that unite architects in Ukraine today, about questions that must be asked today, before the future.
Over a period of four months, five temporary collectives create a program of changing exhibitions in both locations of the Pavilion—about reconstruction, ecology, care, commemoration, and the future. These exhibitions originate from within the Ukrainian context and involve a wide range of participants, with the aim of creating spaces and dialogues fostering mutual understanding.

We adapted the 60s glass modernist pavilion into a space for electroacoustic performances. Scene 13 is series of music concerts that features academic multichannel electronic music and held on the 17-18th of August by the Pavilion of Culture in collaboration with the Cultural Platform.

"The display symbolizes exhaustion on many levels. Besides the obvious – depletion of humanity’s resources and credit with the environment – it’s about psychological exhaustion due to social media abuse, the pandemic and economic recession." Pavlo Makov

Ukraine is participating in the 18th International Architecture Exhibition curated by Lesley Lokko (20 May – 26 November 2023), with a Pavilion at the Arsenale (Sale d’Armi) and an installation in the Spazio Esedra at the Giardini. Before the Future is the title of the participation, organized by the commissioner Mariana Oleskiv, and curated by Iryna Miroshnykova, Oleksii Petrov and Borys Filonenko. Ukraine had not participated in the Biennale Architettura since 2014.

The project provides a unique solution for the planning structure, which adds new qualities to the area. The residential area with the cultural centre is located in the centre of the regular lattice of the Rybalsky peninsula general plan. Its unique role for the district is expressed by the transformation of the shape of the plan: an oval volume is inscribed in the quadrangular perimeter.

Yalta European Strategy (YES) is a leading forum for discussing Ukraine’s European future and global context. YES fosters new ideas. It connects Ukraine to international partners, supports forces for change in the country, and builds networks of supporters for a new Ukraine worldwide.
Together with an architect Oleksander Burlaka, ФОРМА developed the project for the main pavilion.

JOMO is an abbreviation of “joy of missing out”, which could be interpreted as the concept of abandoning the internet and technology without compunction. The JOMO burger cafe seems to be ironic about its surroundings and context: space is located in a bustling area, full of office workers and students. Rejecting the trivial representation of burger cafes, ФОРМА created a holistic clean space, disposed of unnecessary decoration.

The main reason why Kyiv islands have become a wasteland is that they almost have no access from both sides of the river. For a 12-kilometer piece of land of Trukhaniv and Muromets islands there are only three points from which one can get into the area (from the Northern bridge, from the pedestrian bridge and from Hydropark). Hardly anybody can cover the distance on foot and get pleasure from walking and contemplation.

Promprylad.Renovation is an investment center on the territory of a revitalized former factory in Ivano-Frankivsk. The project embodies the idea of impact-investment and combines the advantages of commercial and socially significant enterprises. Based on the intersection of four different directions, which are new economics, urbanism, contemporary art, and non-formal education, Promprylad aims to become the center of the creative potential of the city and thus influence the development of the region.

Zigzag is a city cafe located on one of Kyiv’s most fashionable streets, which became popular among the local creative community. Zigzag is a symbol, which is widely represented in Ukrainian avant-garde poetry and art.

Project is awarded an Honorary Mention at the International Ideas Competition for Busan Opera House in South Korea. The competition was promoted by the Busan Metropolitan Mayor's Office seeking international ideas to build an opera house that would become "a future-oriented cultural space that can raise local performing art culture one level up with its hi-tech facilities and differentiated contents".

Cxema is the life-changing party forging the new sound of the Ukrainian underground. Mixmag

“It seems like the most genuinely and painfully cool party left on earth.”
Electronic Beats, INT

The exhibition “Our Years, Our Words, Our Losses, Our Searches, Our Us” is accompany the opening of the Jam Factory Art Cente on November 18, 2023 and will be the first large-scale exhibition in the history of the art center. The exhibition present the works of Ukrainian artists from 2022-2023 and a longer chronology – from the 19th century to the present.